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About Megan Hyde
Megan Hyde (b.1983) is a Boston-based interdisciplinary artist working across performance, video, animation, sound, sculpture, and installation. Her practice explores processes of change and transformation and envisions otherworldly spaces that center interconnectivity through a queer and intersectional feminist lens.
A new performance piece –– An Echo, A Haunting –– premieres Sunday June 14, 2026 in Boston.
Her work has been presented internationally, including solo exhibitions at Women's Work (Poughkeepsie, 2022) and Cool Change Contemporary (Perth, 2021), and group exhibitions at ChaShaMa Gallery (NYC), Ladies' Room (Los Angeles), Tufts University Art Galleries (Boston), and Gallery 263 (Boston), among others. She holds an MFA in Interdisciplinary Studio Art from the School of the Museum of Fine Arts, Tufts University, and an MA in Art History, Theory, and Criticism from the School of the Art Institute of Chicago.
Originally from western Massachusetts, Megan has lived in upstate New York, Chicago, and Perth, Australia before returning to Massachusetts. Her studio practice is informed by over 15 years of experience as an educator, curator, and writer. Her curatorial background is based in interdisciplinary and experimental exhibition-making, with projects spanning the US and Australia at organizations like the Tang Teaching Museum at Skidmore College and the now defunct Perth-based artist-run initiative Paper Mountain. Her teaching, like her art practice, is interdisciplinary — crossing art history, studio art, and cultural theory. She has taught at institutions including Northeastern University and Tufts University.

Photo by Alonso Nichols
courtesy Trustees of Tufts College
I acknowledge that I am living, learning and working on the traditional homelands of the Massachusett people and within the Nipmuc and Wôponâak (Wampanoag) tribes.
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